Pierrette bloch biography of mahatma gandhi
Pierrette Bloch
Pierrette Bloch | |
|---|---|
| Born | ()June 16, Paris, France |
| Died | July 7, () (aged&#;89) Paris, France |
| Nationality | Swiss |
| Education | Henri Goetz, André Lhote |
| Movement | Modern art |
| Awards | prix Maratier de la Fondation Pro-MAHJ |
Pierrette Bloch (June 16, – July 7, ) was a Paris-born Swiss painter and textile designer.
Early life
Pierrette Bloch was born on June 16, , in Paris. In , Bloch and her parents left France for Switzerland escaping Nazi persecution as jews.
Pierrette Bloch - Wikipedia: Pierrette Bloch (June 16, – July 7, ) was a Paris-born Swiss painter and textile artist. Pierrette Bloch was born on June 16, , in Paris. In , Bloch and her parents left France for Switzerland escaping Nazi persecution as jews.At the age of 15, she began living on her own in a hotel, which she says helped foster very early on a conclude sense of independence and autonomy. After the libaration she returned to Paris and began her professional artistic training at the end of the s, taking courses in sculptural arts.[1]
Career
Starting she attended the classes of the cubist painter André Lhote, and in she was the first student of the American-born creator Henri Goetz.
Bloch began demonstrating her works in Paris and the United States in the s. At the age of 23 she had her first exposition in the Mai gallery.
Artworks :. Pierrette Bloch - Pierrette Bloch comes from a family with Swiss roots. Born in in Paris, where she still lives and works to this day, she is one of the most renowned French artists of postwar abstraction.Later in her life she exhibited in many renowned museums in Europe, Asia, and the Americas, including the MoMA and the Centre Pompidou.
The ensemble of her works have their roots in the use of "poor" materials such as ink, sheet, mesh, and horsehair.
The last of these, horsehair, began appearing in her work in the s, with her first sculpture using horsehair created in , and have become one of the key symbols of her work. The corpus of her work thus spans mediums, including drawings, collages and three-dimensional pieces, and falls into the category of postwar abstraction.
A monograph on Pierrette Bloch was published in November by Musée Jenisch.
Pierrette Bloch was born on June 16,in Paris. InBloch and her parents left France for Switzerland escaping Nazi persecution as jews. At the age of 15, she began living on her own in a hotel, which she says helped foster very early on a accomplish sense of independence and autonomy. After the libaration she returned to Paris and began her professional artistic training at the end of the s, taking courses in sculptural arts.Death
Bloch died on July 7, , in Paris at the age of [2]
Biography
- - Studying with Henri Goetz and André Lhote.
- - Becomes friends with Colette and Pierre Soulages.
- - Has first solo exhibitions in Paris at Galerie Mai, and also exhibits at Harvard[3] in the United States.
- - Starts creating collages.
- - Chains first commence appearing in her body of work.
- - Begins using horsehair in her works.
The hair was at the time purchased without clear intentions, but became clear in her artistic path.
- - First paper lines.
- - The foundation Pro-MAHJ awards le prix Maratier to Pierrette Bloch for the ensemble of her works.
Key exhibitions
- - Retrospective at the Musée de Grenoble.
- - Exhibition at the Cabinet d’art graphique of Centre Pompidou.
- - Exhibition at the Picasso Museum, Antibes.
- - Exhibition at Musée Fabre, Montpellier.
- - Participated in the exhibition On line du MOMA, New York.
Public collections
- Museum of Modern Art, New York, US.
- Musée Bellerive, Zurich, Suisse.
- Musée National d'Art Moderne, Centre Georges Pompidou, Paris, France.
- Musée d'Art Moderne de la Ville de Paris, Paris, France.
- Fonds National d'Art Contemporain, Paris, France.
- Musée d'Eilat, Israël.
- Stedelijk Museum, Amsterdam, Pays-Bas.
Quotations
«&#;J’entreprends un long voyage sur une feuille, je m’enveloppe dans ce parcours; ce n’est plus une surface, mais une aventure dans le temps.
Le format n’existe plus.&#;» ("I undertake a prolonged voyage on a sheet of paper, I envelop myself in the journey; it's no longer a surface, but an adventure in time. The format of the work ceases to exist.")[4]
References
- See M.J.
Bonnet, "Les femmes artistes dans les avant-gardes", O. Jacob,