Gerardo amarante giotto biography

Giotto | Biography, Paintings, Arena Chapel, Lamentation ...: Giotto, the most important Italian painter of the 14th century, whose works point to the innovations of the Renaissance style. Revered as the father of European painting and the first of the great Italian masters, Giotto is known for his altarpieces and for the fresco cycle in the Arena Chapel, Padua, Italy.

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Giotto Di Bondone
One of the Greatest Painters Of All Time
Early Renaissance Florentine Painter and Architect

Stylistically influenced by the following painters - Coppo di Marcovaldo, Duccio di Buoninsegna, Cimabue, and Byzantine Style Painting

Education -apprentice toCimabue

Cause of Death - old age, he was 70

Mediums - Tempera on oak panel

Giotto's Biography

Giotto sent his formative years apprenticed to Cimabue. Author John C.

Van Dyke asserted "Cimabue's pupil, Giotto, was a great improver on all his predecessors because he was a man of extraordinary genius. He would have been great in any time, and yet he was not great enough to throw off wholly the Byzantine traditions.

He tried to complete it. He studied nature in a general way, changed the type of face somewhat by making the jaw squarer, and gave it expression and nobility.

According to Giorgio Vasari —who dedicated a chapter to the painter in his The Lives of the Artists, Giotto was the tipping point of Italian art from the Byzantine way, into the Renaissance. It is said that that last excellent painter of the Byzantine era, Cimabue —discovered a young Giotto in his rawest form. As written by Vasari:. It is from here that Cimabue brought Giotto into the bustling task of the art world in Florence, where he excelled beyond measure of the time.

To the figure he gave more motion, dramatic gesture, life. The drapery was cast in broader, simpler masses, with some regard for line, and the establish and movement of the body were somewhat emphasized through it. In methods Giotto was more knowing, but not essentially unlike from his contemporaries; his subjects were from the common stock of religious story; but his imaginative force and invention were his own.

Bound by the conventionalities of his time he could still create a perform of nobility and power. He came too early for the highest achievement. He had genius, feeling, fancy, almost everything except accurate knowledge of the laws of nature and art.

Giotto is hailed as the father of the Italian Renaissance, and his name is used to brand colorful markers for emerging (child-aged) artists to this daytime. He was fêted even in his lifetime.

His art was the best of its occasion, but it still lacked, nor did that of his immediate followers go much beyond it technically.."

According to Renaissance Art HistorianGiorgio Vasari Giotto was something of a prankster..

" It is said that when Giotto was only a boy withCimabue, he once painted a fly on the nose of a meet that Cimabue had drawn, so naturally that the master returning to his work tried more than once to drive it away with his hand, thinking it was real.

And I might tell you of many other jests played by Giotto, but of this enough." from : Lives of the Most Eminent Painters, Sculptors, and Architects published c.

Renaissance art historian, Richard Muther explains, "All the other Italian religious painters work out their expression with toil; he only can offer it with a touch.

All the other great Italian colorists see only the beauty of colour, but Giotto also its brightness.

Giotto is one of the most important artists in the development of Western art. Pre-empting by a century many of the preoccupations and concerns of the Italian High Renaissancehis paintings ushered in a brand-new era in painting that brought together religious antiquity and the developing idea of Renaissance Humanism. Indeed, his influence on European art was such that many historians believe it was not matched until Michelangelo took over his mantle some two centuries on. Giotto is best recognizable for the way he explored the possibilities of perspective and pictorial space, and in so doing, he brought a novel sense of realism to his religious parables.

And none of the others understood to the full its symbolic power; but with --Giotto--there is always, not only a colour harmony, but acolour secret. It is not merely to make the picture glow, but to remind you that St. Francis preaches to a fire-worshipping king, that Giotto covers the wall with purple and scarlet;--and above, in the dispute at Assisi, the enraged father is dressed in red, varying like passion; and the robe with which his protector embraces St.

Francis, blue, symbolizing the peace of Heaven, Of course certain conventional colours were traditionally employed by all painters; but only Giotto invents a symbolism of his own for every picture.

Giotto never succeeded, to the very end of his days, in representing a figure lying down, and at ease.

It is one of the most curious points in all his character. Just the thing which he could study from nature without the smallest hindrance, is the thing he never can paint; while subtleties of form and gesture, which count on absolutely on their momentariness, and actions in which no model can stay for an instant, he seizes with infallible accuracy."

Giotto's paintings are encoded in a visual system so moving and powerful we can hardly transport ourselves to think about it.

Most prominently featured in his work are the holy figures of the Christian faith--Christ, Saints, The Cross and Virgin Mary

About The High Renaissance Period

Classical humanism, was a major aspect of the Italian Renaissance.

This intellectual movement was based on the idea that every persons existence had value and dignity. Humanism also stressed man's position in the natural world. The Humanists believed modern man should see to the classical writings and art of the ancient Greeks and Romans as exemplary guides for ethical living and scholarship.

Giotto di Bondone (b. or - d. CE), usually referred to as simply Giotto, was an Italian painter and architect whose work was hugely powerful in the history of Western art.

John Donne, famous Renaissance poet and writer stated, "No man is an island. entire of itself; every man is a piece of the continent, a part of the main; if a clod be washed away by the sea, Europe is the less, as successfully as if a promontory were, as well as if a manor of thy friend's or of thine own were; any man's death diminishes me, because I am involved in mankind, and therefore never send to know for whom the bell tolls; it tolls for thee.

During the Renascence the spirit of an era awoke, revitalized with knowledge and creativity. Although art still served a specific functions, which were primarily religious, painters added more of their individual spirit and personal vision to their creations.

John Ruskin, famous art historian declared, "The art of any country is the exponent of its social and political virtues . The art, or general productive and formative energy, of any country, is an identical exponent of its ethical animation.

He worked during the Gothic and Proto-Renaissance period. Giotto's masterwork is the decoration of the Scrovegni Chapelin Paduaalso known as the Arena Chapel, which was completed around The fresco cycle depicts the Life of the Virgin and the Life of Christ. It is regarded as one of the supreme masterpieces of the Early Renaissance.

you can have noble art only from noble persons, associated under laws fitted to their second and circumstance."

The major painters of the Renaissance were not only artists but men of excellent genius who gave the society their great intellectual gifts.

Florentine and Venetian painting were both formed by extraordinary personalities. These independent creative geniuses tackled mathematical, artistic and philosophical problems of the highest interest, and presented solutions that have never defeated their value.

The sense of humanism pervading renaissance painting is still palpable. The painters touched on a multitude of issues regarding the human condition - death, love, reason, religion, universal morality, social problems.

Key Descriptive Words and Phrases associated with the Renaissance Movement - rebirth, rediscovery of theclassical world, City-state, Humanism, Humanist, Francesco Petrarch, Reform, The Prince, Theocracy, The Inquisition, Human Reasoning, publication of Della Pittura, a book about the laws of mathematical perspective for artists,sfumato, chiaroscuro, linear perspective, Heliocentric Theory,vanishing aim , Savonarola, spiritually significant, illuminated manuscript, idealized biblical themes, scriptorium, emotion,illuminator, Age of Discovery,axonometric drawing, curiosity about the natural world,mythology, realistic use of colours and light, Bonfire of the Vanities, Aged Testament stories, ethereal and foggy backgrounds,Gospel parables, The Blackdeath, romanticized landscapes, Christian symbolism.

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Famous Quotes From Painters of the Renaissance Art Era

A beautiful body perishes, but a work of art dies not.

Leonardo da Vinci quote

The painter has the Universe in his mind and hands. Leonardo da Vinciquote

I saw the angel in the marble and carved until I set him free.

Michelangelo

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Giotto Di Bondone. Early Renaissance Florentine Painter and Architect. Education -apprentice to Cimabue. Giotto sent his formative years apprenticed to Cimabue.

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