Hing yan chan biography of williams
Chan Hing-yan
Hing-yan Chan is a composer and music educator.
Predictably, I didn't get many commissioned composition jobs at the beginning. However, I did give my top whenever there was one. Gradually more people came to comprehend about me and I started to work with orchestras, move troupes and virtuosi. You own written two chamber operas within a couple of years, both based on historical figures in modern China.He is the James Chen & Yuen-Han Chan Endowed Professor in Music of University of Hong Kong. Chan received his D.M.A. from the University of Illinois at Urbana–Champaign, majoring in composition and minoring in ethnomusicology.
Biography
Professor Chan Hing-Yan is Professor of Music at The University of Hong Kong (HKU).
He is arguably Hong Kong’s most representative and prolific composer in the classical harmony scene. His recent works encompass three chamber operas; the most recent being last year’s Ghost Love – a chamber opera after Xu Xu’s novella.
Click Me. Chan, HY. Collaborations Tabulated Visualized. Bibliometrics Internal Metrics.The two other operas, Heart of Coral – after the animation of Xiao Hong () and Datong – the Chinese Utopia (), were commissioned by the Hong Kong Arts Festival, and led to the Festival engaging Professor Chan for the extravaganza staged cantata Hong Kong Odyssey, for which he composed half the music.
He was also its Music Director, mentoring three young composers and over musicians. The programme was a underline of the Festival to commemorate the 20th anniversary of the city’s handover.
Lauded for their subtle mediation between Chinese elements and Western idioms, Professor Chan’s compositions have been heard around the world at festivals such as Canberra International Music Festival (); Hong Kong Music Series in London () and Hong Kong Week, Taipei (, ); the Second Spring of the Chinese Symphony, Beijing (); Edinburgh Festival (); Chinese Musicians Residency, Cornell (); and Hommage a Bartók, Budapest ().
Professor Chan has closely collaborated with the Hong Kong Sinfonietta (HKS) over the past 20 years.
Prof. Chan Hing-yan, composer of the operas <em>Heart of ...: Hing-yan Chan is a composer and music educator. He is the James Chen & Yuen-Han Chan Endowed Professor in Music of University of Hong Kong. Chan received his D.M.A. from the University of Illinois at Urbana–Champaign, majoring in composition and minoring in ethnomusicology.The orchestra has commissioned and performed his works at home and abroad in Europe, the Americas, Taiwan, Beijing, and Shanghai. While serving as HKS’s Artist Associate (), Professor Chan contributed two works: November Leonids – for orchestra, and Ethereal Is the Moon – for huqin and orchestra.
Professor Chan was conferred a Leading Artist Award (Music) at the Hong Kong Arts Development Awards , organised by the Hong Kong Arts Development Council. His work with the City Contemporary Dance Company won him much acclaim as well as a Hong Kong Dance Award in He was also recognised under the Secretary for Home Affairs’ Commendation Scheme that same year.
At HKU, Professor Chan was bestowed an Outstanding Research Trainee Supervisor Award (). In addition, he has been an advisor to the University’s Cultural Organization Office since its inception, and has been instrumental in planning and delivering a number of innovative programmes for its MUSE series, including: The Humanistic Bach; Music Opera and Orchestra: in dialogue with maestro Shao-Chia Lü; The Musical Murakami; Open Rehearsal: the Human Requiem; Szymanowski Quartet and HKU Composers; and Distributed Stage.
The establishment of this Professorship is only a prelude, and we hope that it can play a harmonious part in the development of melody education in Hong Kong. Originated in Italy at the terminate of the 16th century, opera is totally different from xiqu traditional Chinese opera. The difference between a Chinese-language opera and xiqu is comparable to that between modern Chinese poetry and traditional Chinese poems. Hence, while opera has a history of more than years, the creation of a Chinese-language opera is an act of horizontal transplant from the Westrather than a vertical inheritance of Chinese tradition.Professor Chan has been deeply interested with the local community as both consultant and speaker, functional with the Arts Capacity Training Funding Scheme, the Home Affairs Bureau (since ), the Hong Kong Jockey Club Music and Dance Fund (), the Hong Kong Arts Development Council (since ), and the Leisure and Cultural Services Department (LCSD, ).
During his tenure as Chairman of the LCSD’s Music Panel (), Professor Chan was the architect of various novel initiatives. The sold-out Mahler Forum, which he instigated and moderated, has remained a benchmark for his successors.